Los Angeles Sculpture, Fine Art and Design

 

MARK PORTER

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Mark Porter is a fine art sculptor based in Los Angeles. With a background in classical sculpture and hands-on experience as a carpenter, mason, and bronze foundry worker, Mark brings a unique perspective to the world of sculpture. Recently relocated and established in Los Angeles, where he creates sculptures that merge innovative techniques with classical forms, resulting in works of art that are both striking and technically impressive.

His bronze sculptures are technically outstanding, with a high degree of precision and attention to detail. He is meticulous in his approach, taking the time to ensure that every aspect of his work is perfect, from the casting to the finishing touches. He uses a variety of techniques to create his bronze sculptures, including lost-wax casting, sand casting, and direct carving.

One of Mark's greatest strengths is his ability to bring a sense of life and movement to his bronze sculptures. His figures seem to leap off the pedestal, with a sense of dynamic energy that is truly remarkable. Mark's sculptures are both aesthetically pleasing and emotionally impactful, engaging viewers on multiple levels.

Mark's level of skill is truly exceptional, and it is evident in the quality of his work. His bronze sculptures are highly sought-after by collectors and art enthusiasts, and his reputation as a top-tier sculptor continues to grow. His dedication to his craft and his commitment to excellence set him apart from other sculptors, making him a true master of his art.

 

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PRESS


 

BAPHOMET CONTROVERSY

 “I don’t deliberately court controversy,” said Brooklyn-based sculptor Mark Porter in an exclusive interview with the Observer, “but now I have people emailing me eternal curses in Latin.”

Mark Porter is a sculptor who is known for his work that often evokes the uncanny with a precise execution that is both archetypal and experimental. He is also known for his association with controversial projects, including his work for the Church of Satan.

The Church of Satan commissioned Mark to create a large-scale statue of Baphomet, which was to be donated and displayed outside the Oklahoma State Capitol next to a statue of the Ten Commandments. While Mark does not deliberately court controversy, his combination of the beautiful and the disturbing, rendered with a precise technique and modern mindset, led many to mistake him for a provocateur.

Mark's Baphomet statue created for the Church of Satan is a striking work of art that is both technically impressive and thought-provoking. The statue depicts the figure of Baphomet with a calm expression, seated on a throne and surrounded by two children. The statue is both beautiful and disturbing, with intricate details and a powerful presence that is hard to ignore.

Despite its controversial nature, Mark's Baphomet statue has been widely discussed and debated in the art world. Many view it as a powerful statement on religious freedom and the role of religion in society. Others see it as a work of art that provokes and challenges our understanding of beauty and the grotesque.

Regardless of one's perspective on the statue and its meaning, it is clear that Mark Porter is a sculptor who is not afraid to tackle controversial subjects in his work. He is an artist who pushes boundaries and challenges our perceptions of the world around us, using his skills and imagination to create works of art that are both beautiful and thought-provoking.

 

 ABOUT MARK

Mark, a sculptor based in Los Angeles, has a diverse background that has shaped his unique artistic style. Born in Rhode Island, he was trained in classical sculpture, but also gained practical experience as a carpenter, mason, and bronze foundry worker. This broad range of experiences has enabled him to merge sculpture, installation, and cutting-edge construction techniques across various mediums.

Working in NYC Mark was an assistant to the sculptor Boaz Vaadia, Mark was influenced by the artist's use of space and nature in his sculptures. Mark's own work often exhibits an eerie beauty, combining classical techniques with experimental approaches.

While some may see Mark's work as provocative, it is actually rooted in his belief in the truth that is revealed through the interaction between materials, form, and gesture. He may cast strength in disposable plastics and embody delicate elements in steel, but the greater narrative in his work is about exploring the interplay between these elements.

 

 

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